开放媒体中期实验档案 Open Media Midterm Experimental Archive

这里聚拢的是中国美术学院跨媒体艺术学院开放媒体系“编程艺术 / 人工智能艺术”课程的中期作品。它们大多以网页为入口，却并不只是网页：有的调用摄像头和手势，有的把天气、恐惧、粪便、电话、恐龙和无人机变成可操作的系统，有的则把 AI、镜像、身份和偏见放进浏览器内部重新折射。

我们把这个页面设定为“中期实验档案”，而不是正式成果展。因为这些作品真正有价值的地方，恰恰在于它们还带着临时域名、接口痕迹、加载风险、AI 补全文字和学生快速搭建时留下的边缘。网络艺术不是把作品放到网上；网络艺术是把不稳定性、访问路径、平台跳转和运行条件一起纳入作品现场。

本页面的部分介绍由 AI 根据作品名称、原始描述与可访问页面辅助补全，并以“（AI补全）”标注。AI 在这里不是替学生定稿的作者，而像一名临时档案员：帮助混乱材料先被看见，等待之后被学生和老师继续修正。

This archive gathers the midterm works from the Programming Art / AI Art course at the Open Media Department, School of Intermedia Art, China Academy of Art. Most works enter through a browser, but they are not merely “web pages”: some use cameras and gestures; some turn weather, fear, waste, calls, dinosaurs, and drones into operational systems; others refract identity, bias, and AI through the browser itself.

We frame this page as a midterm experimental archive rather than a finished exhibition. Its value lies precisely in the temporary domains, interface traces, loading risks, AI-assisted descriptions, and edges left by rapid student prototyping. Web art is not simply art placed online; it is a practice that includes instability, access paths, platform jumps, and conditions of execution as part of the work.

Some descriptions were completed with AI based on titles, submitted notes, and accessible pages, and are marked accordingly. Here AI is not the final author; it acts as a temporary archivist, making messy materials visible before students and teachers continue to revise them.